Location: Auckland, New Zealand | Height: 170 cm | Hair Colour: Brown | Eye Colour: Hazel | Ethnicity: European
She / They
| 2016 | How to Throw a Party and Get Away With It | Role: Margot Bloom | Unitec Institute of Technology - Director: Vicky Yiannoustsos |
| 2022 | The Surprise Party | Role: Carla | Battle Cat Delta Force Go - Director: Yarden Elyahiv |
| 2020 | The Middle Wife | Role: Lizzy | Girl Viking Ltd - Director: Kahra Scott-James |
| 2019 | Foam | Role: Marie | Director: Grace Hood-Edwards |
| 2019 | Keen | Role: Dani | Director: Blair Nagle |
| 2019 | Lure | Role: Siren | L&P Productions - Directors: Lucy Timmins & Paul Olohan |
| 2018 | One in Eight | Role: Young Woman | Director: Grace Hood-Edwards |
| 2015 | Closet | Role: Woman | Unitec Institute of Technology - Director: Ellie Bambury |
| 2015 | Elena | Role: Elena | Unitec Institute of Technology - Director: Shane Warbrooke |
| 2015 | Riven | Role: Riven | Unitec Institute of Technology - Director: Chris Wood |
| 2016 | Waiting for Kuleshev | Role: Hannah | Unitec Institute of Technology - Director: Amberley Jo Aumua |
| 2021 | Fleshies 2.0 | Role: Lead / Ensemble | Auckland Theatre Company - Director: Bryony Skillington |
| 2020 | Take The Crown | Role: Ensamble | The Other Club - Director: Steven Glyde |
| 2019 | Tinder Stories - The Worst Date Ever | Role: Seren | Ellerslie Theatre Society - Director: Bruce Brown |
| 2019 | [On] Whatipu | Role: Anna/The immigrant | Navi Collabrative - Director: Dawn Glover |
| 2018 | Pan is Dead | Role: Cass [lead] | Drama Studio (University of Auckland) - Director: James Wenley |
| 2018 | Saturday Night Vignettes | Role: Bernice |
STRAY Producer: Nick Somerville |
| 2018 | The First Time | Role: Alana | Director: Stephanie Fink |
| 2018 | The Wild Party | Role: Mae | Director: Andrew Potvin |
| 2018 | Title of Show | Role: Heidi | Auckland Music Theatre - Director: Pauline Vella, |
| 2017 | As You Like It | Role: Exiled Lord & Ensemble | AUSA Outdoor Summer Shakespeare - Director: Benjamin Henson |
| 2017 | Emotional Creature | Role: Girl 6 | Director: Forrest Denize |
| 2017 | Parson Jack | Role: Raisin | Short & Sweet Theatre Festival - Director: Hilari Anderson |
| 2016 | Somnolence | Role: Kate | Unitec Institute of Technology - Director: Benjamin Henson |
| 2016 | The Ball Date | Role: Jess | Simple Truth Theatre - Director: John Rata |
| 2016 | The Lower Depths | Role: Boobnoff | Unitec Institute of Technology - Director: Elena Stejko |
| 2015 | Outside In | Role: Ginny | Unitec Institute of Technology - Director: Laurel Devenie |
| 2015 | Serious Money | Role: MaryLou/Duckett | Unitec Institute of Technology - Director: John Davies |
| 2019 | Australian Accent Workshop | Tutor: Alex Whitham | |
| 2019 | Rehearsal & Performance Workshop | Tutor: Ian Hughes | Directors & Editors Guild of NZ |
| 2019 | Screen Acting Workshop | Tutor: Liz Mullane and Rachel Bullock | |
| 2018 | Casting Workshop | Tutor: Miranda Rivers | |
| 2018 | Massive Theatre Company Intensive | Tutor: Sam Scott & Stephanie Fink | |
| 2016 - 2013 | Bachelor in Performing and Screen Arts | Tutors: Various | Unitec Institute of Technology |
| 2016 | Intensive Musical Theatre Workshop | Tutor: Various | Mountview Academy, London |
| 2016 | Stunt Acting for Theatre | Tutor: Ivan the Red | Unitec Institute of Technology |
| 2014 - 2016 | American Accent Training | Tutor: Jacque Drew | |
| 2014 - 2016 | Australian Accent Training | Tutor: Alexandra Whitham |
| Accents | American - Standard, Australian, English - RP, South African |
| Dance | Contemporary, Hip Hop, Jazz |
| Instruments | Guitar, Ukulele Basic |
| Other | Improv, On Set Intimacy Trained, Self-Testing - Excellent, Song Writing, Voiceovers, Writing |
| Singing | Alto, Mezzo Soprano, Musical Theatre |
| Sports | Basketball |
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